Category Archives: TDM Staff Review

TDM 3-way Review: Archspire – The Lucid Collective

archspire-lucidARCHSPIRE
THE LUCID COLLECTIVE (2014)

Canada, Season Of Mist, Technical Death Metal

I remember the day when I heard first Archspire promo. Then I thought it was some bizarre form of experimental electronic music – most likely, generated by a computer. Then I watched a few clips on Youtube and I was a bit surprised at the idea of practicing such intense death metal art. It turned out that human abilities are not restricted to the extent that “All Shall Align” became our number 1 album in 2011 on technicaldeathmetal.com. With Archspire is a bit like with Rings Of Saturn. Space pace and great intensity causes some black holes. Hence, these teams have enough supporters as opponents. Certain is You can’t be indifferent listening to “The Lucid Collective”. For me it recalls the extreme performances of Jason Becker’s and I’m prone to such virtuosic “destruction”. On the second album the band clearly went toward expanding compositions. Bravely borders on neo-classicism but not as “wide” as Spawn Of Possession. They are rather stroking the genre which is desecrated by routine meltdowns or breakdowns if you prefer. Fortunately, they are not intrusive and too common. Surely we can find a lot more blasts than the first one. Continue reading TDM 3-way Review: Archspire – The Lucid Collective

TDM 3-Way Review: Nile – At the Gate of Sethu

nile-atthe-gatesNILE
At the Gate of Sethu (2012)

United States, Nuclear Blast Records, Ithyphallic (Technical Brutal) Death Metal

How To Lose Your Fanbase In 47 Minutes, Or How I Learned To Start Hating Karl Sanders.

I’ve never been the biggest Nile fan but I’ve always been an adamant supporter of their Ithyphallic stylings, even if their post 2005 material struck me as a pale shadow of In Their Darkened Shrines and Kronos/Necronomicon have repeatedly beat them at their own game. What I’m trying to say is If I had to put money on which band would be the next to pull an Unspoken King/Illud Divinum Insanus, Nile would be at the very bottom. Too bad At The Gate Of Sethu had to come along and fuck that sentiment up.

Sure, Nile hasn’t turned into McMansonZombie or started playing Deathcore but somewhere Sethu is even worse. There are still bits and pieces of classic Nile here, they’ve just been mangled beyond repair, turned into a perpetual self-parody for cheap cash. What’s worse is people actually defend this garbage simply because it’s Nile.  If laughable riffage, emphysemic growls, migraine inducing blasts/fills ad-infinitum and inconceivably awful clean vocals are your idea of Nile’s triumphant return, you should be ashamed of yourself. Karl Sanders has fed the death metal community a mummified turd and I for one am not about to ask for seconds. Time to retire Sanders. Now. Continue reading TDM 3-Way Review: Nile – At the Gate of Sethu

TDM 2-Way Review: Defeated Sanity – Passages Into Deformity

defeated-sanityDefeated Sanity
Passages Into Deformity (2013)

Germany, Willowtip Records, Brutal Death Metal

The Legendary German Death Machine Strikes Again.

It’s no secret that I love Defeated Sanity. ‘Psalms Of The Moribund and ‘Chapters Of Repugnance’ are two of my favorite Death Metal records of all time so naturally my expectations for ‘Passages Into Deformity’ were through the roof…and once again, Defeated Sanity delivered anything and everything I could have possibly wanted.

For those of you wondering, ‘Passages Into Deformity’ could have very easily been called ‘Psalms Of Repugnance’ as it’s such an expert mixture of everything that made both previous full lengths so phenomenal. That isn’t to say this record has no identity of its own; like other masters of the genre, Defeated Sanity has simply capitalized on everything they know makes their band such a force to be reckoned with. Inhuman guttural sickness, drumming wizardry, bass virtuosity and guitar riffs that are as mind bogglingly technical as they are disgustingly heavy; us fans know the drill by now but what you might not have realized is this is easily Defeated Sanity’s most well-crafted album. A marvelous concoction of genius songwriting and life ending intensity. Throw in guest vocals from the legendary Frank Rini and A.J. Magana and you have 2013’s first Top 5 ‘Albums Of The Year’ Contender. Continue reading TDM 2-Way Review: Defeated Sanity – Passages Into Deformity

2Way Review: Orphalis – Human Individual Metamorphosis

orphalis-human-individual-metamorphosisORPHALIS
Human Individual Metamorphosis (2012)

Germany, Show No Mercy Records, Brutal Tech Death Metal

From Rimmön:

Oh that’s what I needed at the end of the day. Concrete blast – not only between the eyes. Orphalis killed me the way I wanted so thank you in advance Gentleman’s. What’s better, they come out with such a proposal by ourselves. Not only that telepathy is their strong point but brutal technical death metal with mushroom on the forehead isn’t something new to them. Did they manage to entertain me? Oh yes! There are some “buts”. It’s not an easy listening. I like how they shitting on the “mainstream” if You know what I mean. Continue reading 2Way Review: Orphalis – Human Individual Metamorphosis

TDM Staff Review: Dying Fetus – Reign Supreme

dyingfetus-reignsupremeDYING FETUS
Reign Supreme (2012)

United States, Relapse Records, Death Metal

“Fuck the baby, let it die.”

Remember when I said ‘There’s no possibility of Reign Supreme being mediocre or awful’? I was right… so deliciously right. This is the best Dying Fetus has been in years and easily one of the most brutal albums 2012 has given us. Liked Descend Into Depravity’s technicality? You haven’t heard anything yet. Remember how pissed off Killing On Adrenaline was? Prepare to get reacquainted real goddamn quick. In many ways this is the perfect modern Dying Fetus album; vitriolic and destructive like their classic work while perfecting the technicality of later releases that weighed War Of Attrition down and made massive headway on Descend Into Depravity.

Quite honestly, the only way brutality junkies like me could see a better release from an old school giant this year is Internal Bleeding or Suffocation’s latest and even then, Dying Fetus has set the bar extraordinarily high. From Trey Williams’ savage drum assault to John Gallagher & Sean Beasley’s masterful vocals/riffing to the downright FILTHY slams, this is a release NO ONE has an excuse to miss, except of course the mental incompetents that couldn’t handle Dying Fetus to begin with. Yet another modern classic to add to the (already) monumental 2012 success list.

10/10 – Goshuggist

“Question: Can you teach an old fetus new tricks?”

Answer: I DON’T NEED NO NEW TRICKS!

If you are reading this, chances are you have heard a Dying Fetus record or seven, and know what to expect. On DF albums released since, say 2000 or so, we hear the following things: low belched and mid-ranged rasped vocals; militant, crunchy riffs; spiraling staircases technical washes; tank-tread double bass rolls; gurgling bass guitar accents; dynamic song structures; wicked, memorable leads; and absolutely depraved slams. Sound familiar?

It should, because these things makes every Dying Fetus album SO. DAMN. GOOD. Intellectual and intricate, yet crushingly heavy and memorable, these top of the pack tech-metallers continually put together these elements into anthems of brutality that impressive on every single record. Unlike many metal bands that soften their sound and fall into mediocrity, the ole ‘Fetus continues to improve and progress, while staying loyal to the rule of crushingly heavy and politically pissed brutal technical death metal. These guy are at the top of their game… no, scratch that, at the top of the genre.

Better answer: If it ain’t broken.. LET DYING FETUS CRUSH IT!

10/10 – Witness to the Void

“It’s not my fault I’m pregnant and I love drugs”

From rather raw power to one of the uttermost balanced and promising technical death metal bands. This is a story about new Dying Fetus release. I can’t imagine better played death metal with such obvious technicality in it. Dying Fetus always was a more than solid death metal horde but they’re crossed all the boundaries and started to reinvent their own style. They mixed blasting stylization with intense and “straight-in-the-head” complexity to create technical dying metal. Can’t say they’re original in all ways but hey – fuck off and smell coffee flavored coffee – this is war! War between the raging drums, crisp guitars and down-stamping bass. All of this fueled by brutal vocals of John Gallagher which in fact – reminded me Chris Barnes of Six Feet Under.

“Reign Supreme” is something different by this band and I adore it as I love “Descend Into Depravity” which was the fundamental, death metal example for me. Amazing connection of brutality, passion and higher form of technical death is what You should find here. Lot’s of stop&go and a little of straight forward death. All this in the manner of extreme art in which Dying Fetus feel like a fish in the water and should be respected by everyone. Ever-blasting, ever-crushing, dominating and relentless force. Shit! I love Dying Fetus!

10/10 – Rimmon

“The opposite of Juicy Fruit?”

Dying Fetus. The 2 words alone are known to almost every death metal fan. Intrinsic to the development of modern tech-death, their 7th album is yet another step forward. Essentially the opposite of Juicy Fruit gum; this band has been pushed and chewed around the metaphorical mouth of the tech-death scene and still retained its flavour, *cough* Nile *cough*.

Huh? Anyway, Dying Fetus had a very high standard to reach with “Reign Supreme”, and in my opinion, they achieved that with the greatest of ease. The sound was rather reminiscent of their older material, albeit with cleaner production, and a very crushing sound, for example the main riff of “Subject to a Beating”. My favourite part of the album is the vocals. John Gallagher’s low burps are still impressive, and Sean Beazley’s snarls are, at times, somewhat akin to Lord Worm’s vocals circa 1996, the way some screams sound like whistling wind. Listen to “Invert the Idols”, you’ll see what I mean. Overall, I’m very impressed with this album, especially the songwriting ability, which is no less than the usual brilliance that Dying Fetus manages to display with such ease.

10/10 – InexorableRotting

AVERAGE RATING: 10/10